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Second Review Of Moana 2 From A Critical Lens

Second Review Of Moana 2 From A Critical Lens

12.7.24

Second Review of Moana 2 From a Critical Lens

When I wrote my first review of Moana 2, I reflected on the power of storytelling, particularly when it comes to our Pasifika heritage. I encouraged us to hold space for both critique and appreciation—to celebrate the visibility the film brings while remaining aware of the complexities of how our stories are told. Now, as I think more deeply, I will review it from a critical lens, especially about the younger generation in my family, I have a question for you:

Do you know your story? Do you know your people’s talanoa (stories)?

Ko ho’o ha’u mei fe? ‘Oku ke ‘ilo ho’o talanoa?

I hope we’re not relying on Disney to teach us about our cultural heritage. When someone else tells our story, it comes with a twist—and a cost. The twist is that palangi (foreigners) will always frame it through their lens. What is the cost? Exploitation. While Moana 2 showcases Pasifika culture beautifully, it’s essential to ask who benefits. Disney has made billions off these films, yet our islands and communities see little of that profit. Couldn’t a company of Disney’s magnitude contribute to fighting climate change, which directly impacts many of our islands? Or perhaps fund scholarships for Pasifika youth to help preserve and promote our culture?

As I said before, the best way to tell our talanoa is for us to tell it ourselves. Share them with your children, your family, and your community. Write books. Create short films. Use your gifts to tell our truths.

And another thing—I’ve seen many of our Pasifika people engaged in debates on social media about identity, race, and ethnicity. While these talanoa (conversations) can be insightful and thought-provoking, they can also become exhausting. It’s difficult to have meaningful dialogue with those who lack the same depth of knowledge, lived experience, or cultural roots. Everyone views the world from a unique position shaped by their background and privileges. Colonization, at its core, seeks to erase these differences—pressuring us to conform to its standards while erasing the richness of our identities and cultures.

A vital part of preserving our culture and talanoa is language. Do you speak your cultural language? For many in the diaspora, the importance of our native languages is often overlooked. Native speakers acquire the language naturally at home, not in a classroom. When we fail to pass on our languages, we fail to pass on our culture—and in doing so, we risk fulfilling the colonizer’s agenda. Language is a core part of identity, and its loss leads to the erosion of cultural knowledge and traditions. To speak only the colonizer’s language and embrace only the master’s culture, including religion, is to slowly lose ourselves. Valuing and preserving our native languages is an act of resistance, resilience, and love for our heritage.

Still, I have to acknowledge the film’s positives. Moana 2 represents Pasifika people from across Polynesia, Micronesia, and Melanesia. This is a big deal. Representation matters—not just in movies, but also in classrooms, corporate boardrooms, and churches. And it’s worth noting how far we’ve come. The film avoids the stereotypical portrayals of Pasifika people as savages or troublemakers, which we’ve seen far too often in media.

For example, think of the offensive depictions in Jonah from Tonga (the TV mini-series) or the 2014 Sochi Olympics, where Tonga’s representation was reduced to a marketing ploy by a German underwear company. In my critique of the Sochi debacle, I wrote:

“If imperialism and colonialism are defined by acts in which a dominant culture marginalizes subgroups and exploits a minority group, then this is precisely what happened… While the physical presence of Tonga was clearly represented at the Olympic Winter Games, the name Bruno Banani is anything but representative of the island kingdom and its rich culture and traditions.”

(You can read the full critique on my blog: Representation Matters.)

So, while Moana 2 isn’t perfect, it’s an opportunity and a gateway to something greater. It offers visibility and a chance for us to reflect on our talanoa. It’s a reminder of the importance of owning our stories and the urgency of preserving the cultural pillars that sustain them, like language.

Ultimately, Moana 2 shines a light on the resilience, beauty, and interconnectedness of our people. But it’s up to us to take it further—celebrating our heritage, challenging exploitation, and ensuring that our talanoa remains vibrant, authentic, and unapologetically ours.

Malō ‘aupito. ‘Ofa atu. Folau ā.

sela finau

 

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A Tongan Polynesian Pasifika Islander Christian American Perspective on Moana 2

A Tongan Polynesian Pasifika Islander Christian American Perspective on Moana 2

12.3.24

Disney’s Moana 2 continues its journey into the Pacific, once again presenting the richness of Pasifika culture to the world. This weekend, I went to watch it, joining countless others across Oceania and around the globe. The film is already breaking records at the box office, earning the biggest Thanksgiving week gross in cinema history. As a Polynesian and Tongan, I watched the film with both excitement and apprehension. The movie is not just entertainment; it holds cultural significance, especially as it brings our stories, traditions, and identities to a global audience.

One aspect that stood out was the portrayal of Māui. In Pasifika and Polynesian mythology, Māui is not merely a fictional character or a fun-loving trickster. Māui is a revered demigod who, in my culture, fished the Polynesian islands out of the ocean using his fishhook. These stories are not simply “mythology” in the dismissive sense often applied by outsiders; they are our cultural heritage, embodying values, wisdom, and identity passed down through generations. Moana, which means “ocean,” is more than a backdrop in these stories—it is central to our existence. The ocean connects our islands and our people; we are an extension of the moana.

I was struck by one reviewer’s criticism that Moana 2 was “too dark” and “scary” for children, based on her Christian perspective. Yet this same person praised the musical Wicked, a story steeped in themes of darkness, witches, and sorcery. What’s wrong with this picture? Such critiques reveal a troubling double standard, where the richness of Pasifika storytelling is dismissed while Western-centric narratives are embraced.

It’s understandable to feel apprehensive about an unfamiliar culture, but it’s not acceptable to label it as “scary” or “gross” without first seeking to understand it. Perhaps I’m projecting, as I typically research thoroughly before sharing an opinion publicly. Pasifika mythology existed long before Christianity arrived on our islands, and like every culture, we have creation stories that deserve respect and thoughtful engagement.

At its core, Moana 2 is a story of both literal and metaphorical voyages. Moana embarks on a journey filled with challenges, self-discovery, and growth, embracing her calling and her deep connection to her ancestors—the master navigators of the seas. Like any voyage, she cannot succeed alone. Moana learns the importance of relying on others, drawing on their diverse expertise and strengths to weather the storms.

This theme resonates deeply with Pasifika culture, which is inherently communal rather than individualistic. The voyage is not a solo endeavor but a shared experience. In Polynesian tradition, this sense of interconnectedness extends to the wisdom of our ancestors, whose guidance continues to illuminate our path, helping us navigate life’s uncertainties together.

The music didn’t resonate with me as the original. While using Polynesian stars like Dwayne Johnson and Auli’i Cravalho was appreciated, some music pieces could have benefited from a stronger connection to the Pasifika setting, aligning more closely with the cultural roots of the story. However, Moana 2 does excel in portraying the interconnectedness of people, nature, and culture. Moana’s journey highlights our reliance on community, respect for the ocean, and continuing connection to our ancestors.

Cultural appreciation and cultural appropriation often walk a fine line in films like this. While Disney makes strides in research and consultation, it’s vital for viewers—especially those unfamiliar with Pasifika cultures—to approach the film with humility and curiosity, not arrogance or ignorance.

As a pastor in the United Methodist Church, I view films like Moana 2 as opportunities for dialogue—between cultures, faiths, and generations. To my fellow Pasifika people: let’s hold space for both critique and appreciation, using this opportunity to affirm our talanoa or stories’ rightful place in the world. To others: may this film be a doorway to greater understanding and respect for the beauty and complexity of Polynesian culture.

Malō ‘aupito. ‘Ofa atu. Folau ā. 

Sela Finau

 

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